[Although his favorite albums are the three he did with Chris Wardman (Art Bergmann, Sexual Roulette, What Fresh Hell Is This?), he says “Drones” “is the best song I’ve ever written.”]
VANCOUVER — It’s been 19 years since Art Bergmann released his last recording, the Juno Award-winning What Fresh Hell is This? at which point he was simultaneously dropped from the label, quit music and later sold the statuette for dope money. Poignant as only Bergmann can be. The muse never left him. He kicked it out for a bit, and now he’s back, touring in support of his forthcoming four-song EP, Songs for the Underclass.
“Desperate times call for desperate songs,” says Bergmann who is in full control of his music for the first time and is also fighting for rights to his back catalogue. With that, he has created a masterpiece in “Drones of Democracy.” Although his favorite albums are the three he did with Chris Wardman (Art Bergmann, Sexual Roulette, What Fresh Hell Is This?), he says “Drones” “is the best song I’ve ever written.” Last FM recently played the track and the DJ remarked, “I don’t know who this is but he sounds like Tom Petty.” Slap.
He is widely compared to Paul Westerberg when he only needs to be compared to himself. Bergmann thinks about pre-contact Americas, the Paris Commune, the people’s history of the United States, sexual evolution and the denial of our animality. How these things have influenced the new EP is for the fans to explore. We know Dorothy Parker is a past reference. Hardly mentioned is Sherri, his partner of 23 years, who is a big part of a lot of the older songs including “Buried Alive,” which she co-wrote. Bergmann admits Sherri is not overly represented in the new songs. “Older songs I used to write were more concerned with the culture at large and the effect it has on individual lives. Now it’s more about dealing with why we are the way we are.”
Want more insight? Try reading a book. Here are Art’s suggestions: 1491: New Revelations of the Americas Before Contact by Charles C Mann; Death and the Dervish by Mesa Selimovic; and Gomorrah by Roberto Saviano.
And what does Bergmann want us to do? “Nothing you can do except live in your head. Can you live in your head with the crimes of man? Do the best you can. Have fun destroying the capitalist human experiment.”
Long regarded as a key figure in Vancouver punk, with the K-tels and the Young Canadians, there is the expectation these songs will be on the set list. Classics like “Hawaii” and maybe “Data Redux’”or “Automan.” The Vancouver line-up features Alex Varty on guitar, bass player Kevin Lucks and drummer Jon Card (replacing a broken-footed Adam Drake). This is a must-see concert for fans and the curious.